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Article
Two by Charlotte Gray
I suffer from a very Canadian syndrome: TGIH.
What is TGIH? Well, let me explain it this way. Living here, I
often suffer hero envy. Why can't Canada produce a brilliant literary
bad boy like Jay McInerney, or a steely-minded politician like Margaret
Thatcher, or an outrageous sports personality like Dennis Rodman?
Why don't we spawn larger than life characters who bend the rules
to fit them, rather than shaping their behaviour to the norm?
But then I leave Canada, perhaps to spend a few days on the turf
of one of these braggadocio characters. On my return, I am overwhelmed
by TGIH. Thank God I'm Home -- in a country where bully-boy tactics
are not celebrated and civility is the norm; a country where we
put forgotten prime ministers, like Robert Borden, on our bank notes,
rather than kings and conquerors. The political and military heroes
of other countries are celebrated for their fierce individualism
and driving determination. But these are not Canadian qualities:
Canada is not a militaristic nation.
We admire other virtues. Our public discourse is rarely characterized
by Sturm und Drang, and when presented with a silver lining,
we instinctively look for the clouds. I don't care if people elsewhere
jeer at Canada for being a decaffeinated version of the States.
They can keep their Supermen and Superwomen. I breathe a sigh of
relief when I am back in the land of Clark Kent virtues -- modesty,
respect for others, a certain diffidence, a well-developed sense
of the ridiculous, and a steady ability to work for the common good.
My counterpart, Peter Newman, has suggested the one essential
characteristic of all Canadian heroes is that they are dead. He
claims that if a living Canadian claimed hero status, the rest of
us would dismiss him as a boaster: we are, he states, "fuelled by
envy".
I would argue Mr. Newman is using an outdated definition of heroism;
his examples of heroes are European, pre-twentieth-century soldiers
and explorers who displayed against-the-odds bravery in the service
of some national ideal. That kind of bravery is passé in the
age of microchip empires and dissolving national borders. Its only
current manifestation is in the nerves-of-steel take-over duels
between the contemporary titans of capitalism tracked by Mr. Newman
himself. Head-to-head battles within the business establishment
make amusing reading, but selflessness and national pride play no
role in corporate slugfests.
Nonetheless, there is a Canadian appetite for people who
symbolize our nation. When the Millennium Partnership Project offered
to fund projects celebrating Canada's past achievements and individuals
of note, it was inundated with applications. Almost 200 have already
been granted: two of the projects are a wooden sculpture of Tecumseh,
the Shawnee chief who fought for the British in 1812, and a national
tour of a bronze maquette representing the five sturdy women who
fought the Persons Case in 1929.
For those who wish to feed our appetite for heroes, the challenge
is to redefine heroism. Which unsung heroes typify the best aspects
of Canada: a tolerant, successful and unpretentious society, with
a sense of humour and a remarkable collective ability both to promote
change and adapt to it?
Just because our virtues are modest doesn't mean we have to celebrate
wimps. Once you start matching Canadian qualities to Canadian achievers,
you quickly realize there is plenty of material -- among the living
and the dead -- to work with.
- Collective
strength. A nation whose very existence depends on a collective
balancing act is a high-wire act that works. What could better
symbolize this than the Cirque du Soleil, in which performers
swing through the air, use each other as counterweights, balance
each others' needs -- all without speaking? Just like our federation:
geographical, gender, linguistic balance.
- Quiet
competence. In international affairs, there have always been
unassuming, brainy Canadians working for a better world. They
include John Humphrey, who drafted the Universal Declaration of
Human Rights, and Prime Minister Pearson, who developed the idea
of peace-keeping forces. But one unsung hero is Louis Rasminsky,
the soft-spoken, charming and gifted economist who was the éminence
grise at the 1944 Bretton Woods conference. Having observed
the monetary chaos of the 1930s and 1940s, he quietly designed
the International Monetary Fund, which stabilized the global financial
system. Because he was Canadian, he never took credit. Because
Bretton Woods House is in Washington, the Americans got it.
- Respect
for the land. Canadians have raped and pillaged their landscape
as energetically as anyone, but since pre-Confederation days there
have also been ecological champions -- native and immigrant. Nineteenth-century
author Catharine Parr Traill was among the first to realize the
dangers of environmental destruction. While Walt Whitman was still
waxing lyrical, she was on her hands and knees, digging up ferns
and identifying disappearing botanical species. Until now she
has been a prophet unrecognised in her own country... very Canadian.
- Creative
brilliance. Alice Munro is a hero on two counts. First, she
took an underrated literary form -- the short story -- and produced
such polished jewels that she raised standards world-wide. She
exemplifies the Canadian ability to colonize a small area of artistry,
and enlarge it into an important genre. (We did the same with
documentaries and children's music.) Second, she has won all the
big prizes -- the Governor-General's, the Giller, the Pulitzer
-- yet, in typically modest Canadian style, she refuses to be
lionized.
- Humour.
How did Canadians ever earn a reputation for being boring, when
comedians are one of our greatest exports? Perhaps it is because
Canadian comedy is so dead pan. When a laugh track is fitted to
emigrants like Mike Myers, Martin Short, Jim Carey, and John Candy,
American audiences finally get it. And alongside the irony, in
a blazing talent like Rick Mercer there is irreverence and a burning
sense of social justice. Mr. Mercer illustrates both the Canadian
capacity for edgy comedy and our gift for not taking ourselves
too seriously. He can even get politicians to laugh at themselves.
- Commitment
to the common good. For Canadian peacekeepers, there is no
personal glory in what they do. They just keep on putting their
lives on the line as they keep warring factions apart. Whether
reassuring Albanians in Kosovo or helping Ethiopian children,
they embody the spirit of mutual help that kept prairie farmers
going during the Great Depression, and propelled Newfoundlanders
to help one another when the fishery collapsed.
- Self-invention.
The catalogue of bogus Canadian heroes is delightfully long: Laura
Secord didn't really lead a cow behind the lines in the War of
1812; Grey Owl, the most famous Red Indian in the world, was born
Archibald Stansfield Belaney in Hastings, England; Billy Bishop
wasn't quite the fighter pilot ace that the Canadian government
claimed. But Canada has given all kinds of people an opportunity
to reinvent themselves. My particular favourite is Lili St. Cyr,
the Montreal stripper who seduced Montreal in the 1940s and 1950s.
Lili's real name was Marie Van Schaak: she was born in Minneapolis
in 1918 and couldn't speak a word of French. She broke hearts
and emptied wallets, but a helluva lot of people had a helluva
good time in her presence. Above all, she epitomizes the chameleon
quality of Canadians: we adapt to the world around us.
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